I am an abstract painter interested in bodily representation, materiality, and the history of the painting process. The content of my artwork— abstracted bleeds, clots, rings, cracks, and rippling wave forms—aim to recall relationships between bodies, biology, and race. I use egg-like structures in a color palette of skin tones derived from Felix Von Luchan’s scale as a visual language to talk about bodies, human connections, race, and the systems surrounding these themes.